Pop-Culture | Posted by Darializa Avila-Chevalier on 04/24/2014

Choosing Not to Support Marginalization of Minority Groups Through Illustration

As an artist for my college’s newspaper, the Columbia Spectator, I sometimes have to illustrate pieces laced with unrecognized privilege. I’ve drawn for articles that fetishize poverty in Spanish Harlem and pieces that depict the “Columbia experience” as entirely universal to its student body. I’ve also illustrated for authors who have complained that “their privilege excludes them from conversation.” As a result, I, a low-income, Afro-Latina, first-generation American woman, feel alienated in my own community. This is not to say that Spec’s contributors aim to drown out the voices of the marginalized—I believe most have good intentions and hope to create a forum of expression safe for all identities. But intention is irrelevant when people of marginalized identities feel the ever-present divide reinforced.

I love illustrating for Spectator, …

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Pop-Culture | Posted by Ruth L on 02/20/2013

Judy Chicago at the Ben Uri Gallery

Judy Chicago is one of my favourite artists. So, when I heard she was exhibiting in London for the first time since the 80s, well, I was rather excited. The Ben Uri Gallery in London seemed like the perfect place for her return to the country, having 1300 works in their permanent collection by women artists. Many of these works are currently focusing on themes such as autobiography, erotica, feminism, the nude and issues of masculine power.

Which is precisely what Chicago is most well known for. During the 1970s, she founded the first feminist art program in America, aiming to incorporate these themes into the realm of art. This was a time when the personal was truly political and Chicago encouraged and inspired her students to create feminist artworks …

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Pop-Culture | Posted by Julie Z on 02/3/2013

Support Women Artists Sunday: KALEN

Singer-songwriter Kalen’s six-song debut EP, Falling From The Sun, is rock noir. The bruised beauty of her lyrics, her dark and shimmering compositions, the haunting expressiveness of her singing, and her dynamically cinematic producing skills imbue the music with a visual layer of intrigue. It is a moody blend of blues, trip-hop and rock with bits of dub step and world beat that’s artfully accessible.


The New York-based singer first gained notoriety fronting the avant-funk band Ladybug Stingray, a band that combined performance art with abstract dance grooves. With that band she performed from coast to coast, from NYC’s Webster Hall, to Brooklyn’s The Knitting Factory, to LA’s Whiskey A-Go-Go. She also headlined The Wassaic Project’s summer festival twice. As a solo artist, she’s channeled the adventurousness, theatrics, and dynamics

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Feminism | Posted by Katherine C on 07/27/2011

A Feminist Image In The Eye Of The Beholder

I don’t remember how I set out to do this painting. What I do know is that it was the first non-commissioned artwork I’ve sold, and that is was my first explicitly feminist-based painting that got any attention.

Beyond Betty, named after Betty Freidan, author of the second-wave feminist classic The Feminine Mystique, was exhibied twice at a local retirement community gallery- once as part of a group show for high school seniors, and once as part of my International Baccalaureate candidate show. In the small town where I live, people who had seen it came up to me in the street and, even more frequently, at church. “What were you trying to say?” “Is it making fun of Christianity?” “Is it about eating disorders?” “Is it about world …

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Pop-Culture | Posted by Brian C on 07/10/2011

Support Women Artists Sunday: tUnE-yArDs

Experimental Africana beats, electronics, and trumpets? What do these things have in common? They are the playplace of rising indie star tUnE-yArDs
tUnE-yArDs is the music project of New England native Merrill Garbus. When performing live, Garbus creates drum loops on the spot, and layers these with ukulele, voice, and electric bass (played by Nate Brenner).The “w h o k i l l” tour will add a saxophone section.

The first tUnE-yArDs album, BiRd-BrAiNs, was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August

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Creative | Posted by Dawn Okoro on 11/12/2010

Selfsploitation

“Selfsploitation” delves into the psychology of sending sexually suggestive photos of one’s self by cellphone or posting them on social websites. The project includes drawings (some can be seen below), an essay, and a survey conducted on the artist’s blog.

[caption id="attachment_3210" align="aligncenter" width="210" caption=""Untitled 6""]"Untitled 6"[/caption] [caption id="attachment_3211" align="aligncenter" width="218" caption=""Untitled 11""]"Untitled 11"[/caption] Related Posts with Thumbnails

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