Either way, I don’t actually care that much about Megan Fox. She will probably be irrelevant in a few years no matter what. 

What I do want to talk about is this new “PSA” for Jennifer’s Body.

Warning: Vulgar Language (!!OHNO!!!) in vid.

Who thinks that Megan Fox, with her face and body so vastly accepted as beautiful, doesn’t actually know shit about being different? I do! I do!

But, meh, this “PSA” is still pretty clever, and after reading Diablo Cody’s interview in Bust Magazine this month, I’m really intrigued by Jennifer’s Body. There seem to be some clear pros and cons about this female-centric horror flick. 

For instance, in the interview, Cody says about Jennifer’s Body: 

“It’s Mean Girls taken to an extreme. When the alpha girl becomes cannibal-like, nitpicking is no longer enough. Now she has to literally consume flesh.”

I’m not going to deny that the alpha-girl stereotype doesn’t exist, but can we please stop perpetuating it? I swear to god, at least in my middle school, Mean Girls actually introduced into our grade mean girls who took after Lindsay Lohan and Rachel McAdams in that movie. Yes, in 6th grade we were so consumed with the characters in that movie that we missed the entire point that those characters were ridiculous, and instead became them. 

I think mean girls would exist without media influences, but it certainly doesn’t help when they’re re-enforced. And believe me, even if you go and say in the end “don’t be like the character that I just portrayed throughout an entire movie” middle school kids are going to miss that essential part. Trust me. 

Also it seems like the fact that Jennifer murders a ton of guys in the movie is a solid case for some misandry (hatred of men/boys). Of course, I haven’t seen the movie but considering that the main feminist complaint I hear about horror movies is the brutal violence against women, I have to wonder if this is a step above that or just “getting even.” 

But there are some really interesting and positive choices Cody made as well. Jennifer throws up on her victims before she eats them, and is even seen binge eating – a clear metaphor for an eating disorder, coming from the so-called perfect alpha-female. And it seems that virgin-whore complex is avoided a little in that the hero has “sex for pleasure” in the movie “and it’s really matter-of-fact. It’s not the typical big, happy virginity-loss scene.”  

Showing the problems that the “pretty and perfect” have and crushing the virgin-whore complex in order to create more complex characters? I approve. 

Cody also states:

“What really appealed to me was the idea of working with a female diretor. I’m sure somebody will prove me wrong, but I had never heard of a woman director and a woman screenwriters creating a mainstream horror film.”

Amen to that. 

Keep in mind I have NOT SEEN THIS MOVIE – it comes out September 18th. This was all postulating to raise some relevant ideas. We’re just going to have to wait and see…

at least they're up front about the stereotypes in this one

Teen movies very obviously base themselves on harmless stereotypes: the jock, the bitch, the nerd, etc.– stereotypes so deeply rooted into our expectations of the genre that we can’t be bothered to think about other possibilities. However, after re-watching the awesomely awful Whatever It Takes for the first time in at least four years, I started to see something recognizably offensive that I had not yet noticed before: it seems that the typical teen movie’s female characters are, more often than not, projections of the archetypal male’s virgin/whore complex. Characters can only be one or the other, and there is no inbetween.

While teen movies are generally oversexed as a selling point, there’s an underlying tone of moral retribution that has been used to the point of becoming cliche. This easily brings to mind the classic horror movie rule of sexually active characters being gruesomely killed off, a tradition less explicitly carried out in the similar rule of the archetypal whore “getting what’s hers”.

Jodi Lyn O'Keefe

This is the case for Jodi Lyn O’Keefe’s character in both Whatever It Takes and She’s All That, not to mention others in Cruel Intentions, Jawbreakers, Sixteen Candles(to a point). To make matters worse, O’Keefe’s desperately sluttish character in the former is so blind in her horniness that she ends up sleeping with the biggest nerd in the school. Meanwhile, the end of the movie suggests that the prototypical, romance-obsessed good girl, Marla Sokoloff, loses her virginity to the boy-next-door. The message beneath it, whether aware of itself or not, seems ridiculous when thought over: sex for anything but love is outlandish.

Notorious screenwriter Diablo “Honest to Blog” Cody shows an awareness of this when discussing her upcoming teen horror movie Jennifer’s Body in the August/September issue of BUST. The virgin and the whore are both present in her story, but instead of portraying the former (played by Amanda Seyfried) as naive and consumed with love, Cody gives the character an honest sexuality. “She has sex for pleasure in this movie, and that was important to me. She’s this wide-eyed, innocent blonde who’s trying to protect the town, but I wanted to show at the same time that she can have an orgasm, she can get excited about having sex.”

Diablo Cody

 To be fair, Cody isn’t alone in creating female characters who don’t suffer from the virgin/whore complex. The golden age of the teen movies brought forth time-tested classics that avoid such cliched characters– notably in Clueless, 10 Things I Hate About You, American Pie, Can’t Hardly Wait and The Breakfast Club– instead portrayed as either perfectly normal, virgin teenage girls taking their time or reveal sexually active women as independent and in total control of what they do with their bodies. Not one, nor the other, but both make for good representations of a sexually healthy teenage girl.

But it’s almost understandable that these stereotypes are presented to us at such a young age. Teen sex is never a light subject– it’s one of the most obvious portals into adulthood, and the carefree use of young adults as caricatures can take some of the gloom away. Yes, it’s a big deal, and yes, it has, on occasion, ruined some lives– but this doesn’t leave sex for sex’s sake to the prototypical harlot. Sex for love isn’t always perfect (if ever), and sex for pleasure doesn’t always make a girl feel sick the morning after. Teen movies, by typecasting women, can promote unrealisitic ideas of what makes a positive sexual experience, of what side a woman is supposed to take.These concerns will follow a sexually insecure woman for a long time, which makes it important to distinguish the utter bullshit of the virgin/whore complex. After all, we’re all virgins at some point, all of us riddled with sin. So if we can’t take both sides, then who are we?

Sarah F also writes for her own blog – Lolita Hazed

So the trailer for Diablo Cody’s new movie about a possessed cheerleader who seduces her male classmates then kills them was just released. 

Bad news: I can’t embed the video from youtube. so you can’t be ultra lazy. awww.

Good news: click here to watch it on youtube, where it hasn’t been removed yet (yayyy)

LOOKS. SO. GOOD. *excited fit of giggles at the thought of diablo’s sense of humor revived and applied to a horror movie genre ensues* Especially since horror movies are so often disgustingly sexist- it’s nice Diablo’s turning it on its head. I like.