Pop-Culture | Posted by David G on 02/10/2016
Why Beyoncé’s “Formation” Video Is So Important
This past Saturday, Beyoncé released the first new song from her upcoming album, entitled “Formation.” The song, and accompanying video, may be the most important works the star has released. If her 2013 eponymous album was the birth of her understanding of self empowerment and goal to empower other women, “Formation” indicates that she will only build on this mission and continue to forcefully declare her political views.
Many things make “Formation” special, but perhaps chief among them is Beyoncé’s evisceration of the respectability politics to which African American women are often subjected. The song can be interpreted as a much-needed declaration of defiance, both against the stereotypical, cultural expectations for African American women and against the idea that African-American women aren’t, and cannot be, leaders in …
Pop-Culture | Posted by Liz L on 02/5/2016
How Grimes Is Daring Music Critics to Dismantle Hierarchies in Pop Music
When I met Grimes — the project of DIY musician, writer, performer, and producer Claire Boucher — after her recent Nashville concert, our first exchange was one of unabashed praise. “Your voice,” she said to me. “It is exceptional.”
As a grown woman with the distinctly high-pitched (frequently mimicked) speaking voice of a 3-year-old on Christmas morning, Grimes’ compliment was utterly validating. Naturally, I cried a little, thanked her a lot, and proceeded to truthfully share my gratitude for her work with the same utter sincerity that she presents within her own striking musical oeuvre.
Grimes is completely unapologetic in her art production and presentation of her own self-engineered pop stardom. The musician conjures visions of a sci-fi galactic queen warrior. She is a keen engineer of sound and …
Pop-Culture | Posted by Chloe H on 01/15/2016
How Young, Female Photographers Are Carrying On A Powerful Legacy
There’s a strong legacy of female photographers.
The Musée de l’Orangerie is a renowned art gallery in Paris, France. Although it’s best known for housing Monet’s “Water Lilies,” the gallery is currently featuring an exhibit entitled “Who’s Afraid of Women Photographers? 1839-1919.” I was fortunate enough to see the exhibit, which includes the work of 75 female photographers — some famous, some unknown. The featured artists managed to overcome the sexist expectations and prejudices that were part and parcel of the era in which they worked and laid the groundwork for an industry in which female artists have continued to thrive.
Although relatively little attention has been paid to their work, many women have thrived as photographers over the past century. While many women discovered the art form …
Pop-Culture | Posted by Morgan K on 05/15/2015
Margaret Keane and the Countless Invisible Female Artists
A Keane painting
Our generation may not be too familiar with the haunting “Keane Eyes” which were ubiquitous in the 1950s and 60s. Those dark, doe-eyed figures found their way into print and media, living rooms and coffee shops countrywide. But it wasn’t until Tim Burton brought light to the reality in his biographical drama Big Eyes that the truth about those paintings supposedly created by Walter Keane was made clear to young people.
Margaret Keane – Walter’s wife – spent years painting the “Big Eyed Waifs.” The artist’s husband convinced her that using his name would increase the paintings’ popularity. But as the fame of the paintings — as well as Walter himself — grew, so did Margaret’s anger and isolation. She finally reached a breaking point and came …
Feminism | Posted by Cheyenne T on 04/15/2015
Meet The Teens Using Intersectional Art As Feminist Activism
First I found myself through art. Then I found myself through feminism. Finally, I found myself through activism. I was confused but ambitious in high school and passionately tried to learn everything I could about the world. Even though I realized that my peers were also developing their own senses of self, I still desperately wanted to understand who I was, to feel comfortable with myself and understand my place in the world.
Art was my escape because it didn’t require me to stay inside my body. I could be anyone and present anything to the world. It wasn’t necessarily me, but some creation of my own. I was frustrated by the person I was told I needed to be in order to be successful and taken seriously …
Pop-Culture | Posted by Julie Z on 02/16/2014
Support Women Artists Sunday: Jessica Childress
Jessica Childress is an explosive talent poised to take the music industry by storm. She is reminiscent of the golden age of classic soul, with a voice that will move and inspire you. This LA soulstress combines traditional R&B with a rock n’ roll style, a deadly combination that landed her a spot on NBC’s Emmy Award-winning show The Voice. Since then, she has commanded stages across Southern California, drawing sold-out crowds in some of its most well-known venues.
He Won’t Go
Don’t Forget My Name – EP – Jessica Childress on iTunes
Pop-Culture | Posted by Julie Z on 02/9/2014
Support Women Artists Sunday: London Grammar
English trio London Grammar combined sparse electronic pop in the model of the xx with dramatic, big-voiced lead singer Hannah Reid, whose vocals evoke contemporaries Florence Welch and Natasha Khan of Bat for Lashes. Reid and guitarist Dan Rothman met in the dorms of Nottingham University where they began writing music together in 2009 and later added multi-instrumentalist Dot Major to complete the lineup. The following years saw them refine their sound with atmospheric electronics and subtle percussion, and they often played to rooms of no more than ten people. Their popularity rose with the 2012 release of “Hey Now,” which they uploaded to the internet and instantly found an online cult following. Their fans were not just in the U.K., but also on the other side of the world …
Pop-Culture | Posted by Julie Z on 01/26/2014
Support Women Artists Sunday: Caitlin Rose
Caitlin Rose’s inspirations, from Gram Parsons to Bonnie Raitt to Linda Ronstadt, belied her late-‘80s birth. The offbeat Nashville, Tennessee-based singer/songwriter and guitarist debuted in February 2008 on the Theory 8 label with the Dead Flowers EP, its title track a Rolling Stones cover with a pleading touch, laced with pedal steel guitar. Five months later, the limited Gorilla Man, pressed on 300 copies of 7” vinyl, featured re-recordings. Her debut album, Own Side Now, followed in August 2010. It was issued on Names, the label that had issued Dead Flowers in the U.K., and reissued in 2011 following her decision to sign with ATO. The assured and impressive The Stand-In appeared early in 2013.
via All Music
Caitlin Rose on iTunes