Pop-Culture | Posted by Gabby Catalano on 08/31/2016

The Empty Page Talks Indie Rock Feminism

The Empty Page

The Empty Page

The Manchester hard rock trio, The Empty Page, is breaking every rule in the industry. Led by bassist and lead singer Kel, lead guitarist Giz, and drummer Jim, the band is bringing feminism to a scene notoriously crowded by men, and challenging authority in their upcoming debut album. The band’s recent music video, “Deeply Unloveable,” is a striking manifesto against sexism, classism, conformism, and sexual harassment, and the band itself is all about empowering women. The Empty Page spoke to the FBomb about their cultural influences, punk-rock titles, and being a feminist band.

Tell us about each of you and your music background, as well as your role in the band.

JIM: I’m Jim. I’m the morale booster and band pep-talker. I also play the drums …

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Pop-Culture | Posted by David G on 02/10/2016

Why Beyoncé’s “Formation” Video Is So Important



This past Saturday, Beyoncé released the first new song from her upcoming album, entitled “Formation.” The song, and accompanying video, may be the most important works the star has released. If her 2013 eponymous album was the birth of her understanding of self empowerment and goal to empower other women, “Formation” indicates that she will only build on this mission and continue to forcefully declare her political views.

Many things make “Formation” special, but perhaps chief among them is Beyoncé’s evisceration of the respectability politics to which African American women are often subjected. The song can be interpreted as a much-needed declaration of defiance, both against the stereotypical, cultural expectations for African American women and against the idea that African-American women aren’t, and cannot be, leaders in …

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Pop-Culture | Posted by Fiona L on 08/11/2014

Jenny Lewis’ The Voyager Is a Feminist Experience

“I’m just another lady without a baby.”

Jenny Lewis’ delivery of this line in “Just One of the Guys,” the third song on her new album, The Voyager, is quiet, yet powerful. She seems almost to be taunting the listener, or possibly to be imitating someone she once heard describe her. In the video for the song, Lewis’ face is serious as she leads up to this sentence, and the camera zooms in on her face. But, the minute she begins to utter the phrase, her lips widen into a smile–an inside joke with herself, perhaps–and she begins to dance.

The Voyager has been making waves since its release on July 29. It’s Lewis’ first solo project in 8 years, and most reviews are overwhelmingly positive. Jeff Himmelman at …

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Pop-Culture | Posted by Julie Z on 02/16/2014

Support Women Artists Sunday: Jessica Childress

Jessica Childress

Jessica Childress is an explosive talent poised to take the music industry by storm. She is reminiscent of the golden age of classic soul, with a voice that will move and inspire you. This LA soulstress combines traditional R&B with a rock n’ roll style, a deadly combination that landed her a spot on NBC’s Emmy Award-winning show The Voice. Since then, she has commanded stages across Southern California, drawing sold-out crowds in some of its most well-known venues.

via JessicaChildressMusic.com

I Quit

He Won’t Go

Don’t Forget My Name – EP – Jessica Childress on iTunes

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Pop-Culture | Posted by Julie Z on 01/26/2014

Support Women Artists Sunday: Caitlin Rose

Caitlin Rose

Caitlin Rose’s inspirations, from Gram Parsons to Bonnie Raitt to Linda Ronstadt, belied her late-‘80s birth. The offbeat Nashville, Tennessee-based singer/songwriter and guitarist debuted in February 2008 on the Theory 8 label with the Dead Flowers EP, its title track a Rolling Stones cover with a pleading touch, laced with pedal steel guitar. Five months later, the limited Gorilla Man, pressed on 300 copies of 7” vinyl, featured re-recordings. Her debut album, Own Side Now, followed in August 2010. It was issued on Names, the label that had issued Dead Flowers in the U.K., and reissued in 2011 following her decision to sign with ATO. The assured and impressive The Stand-In appeared early in 2013.

via All Music


Own Side

Caitlin Rose on iTunes

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Pop-Culture | Posted by Julie Z on 01/19/2014

Support Women Artists Sunday: Betty Who

Betty Who

Australian-born pop singer Betty Who makes vivacious yet bittersweet music that calls to mind divas such as Whitney Houston, Robyn, and Katy Perry. Born Jessica Anne Newham in Sydney, she began playing cello, piano, and guitar as a child, and moved to America with her parents when she was a teenager to attend the Interlochen Center for the Arts performing arts school. She then went to the Berklee College of Music for more training as a cellist, but really wanted to focus on being a singer/songwriter (she began performing her own songs at age 16). While at Berklee, she met producer Peter Thomas, and the pair began writing and recording material together. Drawing inspiration from the songwriting skills of Joni Mitchell and Carole King and the epic synth

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Pop-Culture | Posted by Julie Z on 01/5/2014

Support Women Artists Sunday: Beatrice Eli

Beatrice Eli

Beatrice was born in 1987 and received much of her musical upbringing via MTV and the American soul / R & B / hip-hop videos that channel served. Alongside the influential music channel she grew up with Nina Simone and Stevie Wonder, two artists that are constantly played on the stereo at home. She characterizes the music she plays as the soul she loved as a kid meets hip hop. At this year’s Way Out West, she performed at one of Gothenburg’s clubs and her dream is to go around the world and sing for a large and enthusiastic audiences.

via Last.Fm

Violent Silence

The Conqueror

Beatrice Eli on iTunes.

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Pop-Culture | Posted by Julie Z on 11/10/2013

Support Women Artists Sunday: Pearl and the Beard

Pearl and the Beard

Pearl and the Beard is three voices, one cello, one guitar, one glockenspiel, one melodica, several drums, one accordion, ninety-six teeth, and one soul.

Former strangers Jocelyn Mackenzie, Emily Hope Price, and Jeremy Styles were united in the great city of New York. Each had migrated there from a far corner of the nation with naught but food in their pockets and money in their bellies. Each had the same true love. Since then, the three have nested, and their unique brand of brightly melodic songcraft continues to blossom of its own accord.

The band’s genre-bending and expectation-defying sound has since burst the trio out of the confines of the New York music scene, allowing them to traipse the United States on a multitude of national

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