Pop-Culture | Posted by Julie Z on 12/18/2011

Support Women Artists Sunday: Joan Mitchell

Joan Mitchell (February 12, 1925 – October 30, 1992) was a “second generation” abstract expressionist painter. She was an essential member of the American Abstract expressionist movement, even though much of her career took place in France. Along with Lee Krasner, Grace Hartigan, and Helen Frankenthaler she was one of her era’s few female painters to gain critical and public acclaim. Her paintings and editioned prints can be seen in major museums and collections across America and Europe.

Mitchell was born in Chicago, Illinois, the daughter of James Herbert and Marion Strobel Mitchell. She studied at Smith College, in Massachusetts, and The Art Institute of Chicago. After moving to Manhattan in 1947, she wanted to study at Hans Hofmann’s school in New York but, according to Jane Livingston in her …

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Pop-Culture | Posted by Lauren M on 12/2/2011

My New Hermione: Miranda Lambert

Miranda Lambert: The New Hermione Granger?

Miranda Lambert: The New Ultimate Heroine?

Ever since the beginning, Hermione Granger has been praised as being the first female character who showed girls that it is ok to be the hero of the story, to be smart, to stick up for yourself and to not take a back seat to the boys. Now that the series is over, who will us girls look to for inspiration? I think I may have found our answer in the music world.

You may know her as an outlaw of country music. Or you may know her as Blake Shelton’s “honey bee.” Or you may have no idea who she is. Her name is Miranda Lambert and she is my heroine: she’s my new Hermione. Bet she’s never gotten that comparison before.

Miranda …

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Pop-Culture | Posted by Amanda C on 08/22/2011

Teardrops On My Car – or, Why Taylor Swift Doesn’t Seem To Drive Much

There is no shortage of coverage on Taylor Swift. In the music industry, in teen magazines, on TV, or even (yes) feminist circles – she’s a cultural icon; how could we not talk about her? I think of her as a guilty pleasure. I think her songs are catchy and cute and though her obsession with boyfriends and her slut shaming are certainly far from feminist, I don’t think that listening to Taylor Swift songs spells doom for the feminist movement. It’s impossible to cover all the feminist/antifeminist implications of Taylor’s music in a single post. I just want to point out a pattern I have noticed over the course of her three albums: she mentions driving a lot. This is not a phenomenon unique to Taylor or even music …

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Feminism | Posted by Julie Z on 08/9/2011

An Ode To Sheryl Sandberg’s Awesomeness

I love Sheryl Sandberg

I love Sheryl Sandberg

I’m always bitching about how few really positive female role models are out there for young girls. Considering the celebrities we have worshiped / continue to worship – Snooki, Lindsay Lohan, Paris Hilton – it doesn’t exactly take a rocket scientist to wonder why so many girls are more concerned with partying than studying and why their number one life goal is to date a rock star rather than become the first female president.

But that is exactly why it’s so important to focus on the women who are positive role models – who are doing amazing things in the world and whom young girls everywhere should be looking up to. Enter Sheryl Sandberg.

Sheryl Sandberg has been on my radar for a little while. …

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Pop-Culture | Posted by Becka W on 07/20/2011

Revisiting Eloise (At The Plaza, Of Course)

Eloise At The Plaza

Eloise At The Plaza

We all have a favorite children’s picture book – one we read over and over, or that our parents did funny voices for. After revisiting my childhood and experiences growing up through Harry Potter, I wanted to look to some of my earlier literary experiences.

When I was in my local bookstore last week, I perused through the Children’s section and picked up some books clearly aimed towards girls. One, the Girls’ Doodle Book, included pictures you could finish – mostly structured around things like butterflies, flowers, baking, and nesting. Boys, on the other hand, had a doodle book where they drew inventions, action scenes, machinery. The other was geared towards “tomboys”, showing that it’s OK to like worms and sports and hate wearing dresses …

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Feminism | Posted by Sabina S on 07/6/2011

Blast From The Past

I thought we were done with this...

I thought we were done with this...

I was at my friend’s house working on a project for school. It was getting late so her mum made us dinner. At the table, my friend’s dad was ordering her mum around and asking for things to be brought to him. Now, it was all in good fun, but it still bugged me a little bit because it reminded me of the times that Betty Friedan discusses in “Feminine Mystique.” And then, to make matters worse, my friend’s mum started talking about how she just lost her job. While we were eating, she started complaining about her lack of employment. Then she concluded that now that she is unemployed she MUST resume the housewife roll. She proceeded to name off a laundry …

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Pop-Culture | Posted by Julie Z on 06/26/2011

Support Women Artists Sunday: Gossip

Beth Ditto and Gossip

Beth Ditto and Gossip

Danielle B’s post earlier this week reminded me how awesome Beth Ditto and Gossip are. Enjoy!

Gossip (formerly The Gossip) is a three-piece American indie rock band formed in 1999. The band consists of singer Beth Ditto, guitarist Brace Paine and drummer Hannah Blilie. After releasing several recordings, the band broke through with their 2006 studio album, Standing in the Way of Control (2006). A follow-up, Music for Men, was released in 2009. The band plays a mix of post punk indie rock and dance-punk.

Gossip was formed in 1999 in Olympia, Washington with vocalist Beth Ditto, guitarist Nathan “Brace Paine” Howdeshell and drummer Kathy Mendonca. All three were originally from Arkansas; Mendonca moved to Olympia to attend Evergreen State College and Howdeshell and Ditto followed.

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Pop-Culture | Posted by Julie Z on 05/21/2011

Saturday Vids: Out of the Vinyl Deeps – Ellen Willis on Rock Music

Ellen Willis

Ellen Willis

In 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country’s most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artists—Bob Dylan, Janis Joplin, the Rolling Stones, Creedence Clearwater Revival, and the Velvet Underground,—assessing their albums and performances not only on their originality, musicianship, and cultural impact but also in terms of how they made her feel.

Because Willis stopped writing about music in the …

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