Pop-Culture | Posted by Julie Z on 01/28/2015

An Interview with Melissa Silverstein

Melissa Silverstein

It’s no secret that the film industry is hardly hospitable to women. The Women’s Media Center found that only six percent of the 100 top films of 2012 cast the sexes in equal numbers, and only 28.4% of those movies cast women in roles with speaking parts. Furthermore, men outnumbered women 5-to-1 in key behind the camera roles: women accounted for only 4.1 percent of directors, 12.2 percent of writers and 20 percent of producers of these films.

But Melissa Silverstein is trying to change that. She is the founder and editor of Women and Hollywood and co-founder of the Athena Film Festival. Silverstein recently took a break from preparing for the fifth annual festival to talk to the FBomb about why women are underrepresented in the

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Pop-Culture | Posted by Jackie S on 09/16/2010

Women in Pre-Code Film

the divorcee: a great example of an empowered woman in pre-code film

the divorcee: a great example of an empowered woman in pre-code film

Pre-production code films were made from 1929-1934. They were interesting, because they explored subjects that would be relevant in today’s society. They had themes of violence, drug abuse, and sexuality. The thing that was so “naughty” about these films was that most of the sexual encounters were controlled by women. The actresses in these movies gave strong performances as intelligent, independent, and, yes, sexual people. The roles were such departures from the housewife/stereotypical characters women usually played in classic cinema.

There were some great actresses in pre-code films. There was Norma Shearer, Greta Garbo, and Barbara Stanwyck. Actresses got to personify the promiscuity of the typical “male stereotype,” and turn it into many complex characters …

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