Pop-Culture | Posted by Antonia Bentel on 10/27/2014

Meghan Trainor’s “All About That Bass” Is No Feminist Anthem

Listening to (and belting out) Top 40 songs in the car is non-negotiable if you’re riding along with me. I love the bubble-gum-for-your-brain songs and gush over new pop tunes. However, I also identify as a feminist and am inclined to listen to these songs with critical ears, ready to pick up on any all-too-common sexist remarks. So, when the radio host proclaimed, “I’ll be playing a song from Meghan Trainor, called ‘All About That Bass’ – some call this catchy song the new pro-women song of the decade,” you could safely assume that I was beyond excited to hear it.

As the first few beats bubbled up from the speakers, I was instantly captivated. The repetition of the phrase “Because you know I’m all about that bass, no treble” …

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Pop-Culture | Posted by Avigayil H on 09/26/2012

Dear Disney/Pixar

I have seen movies that made me feel lousy, like I didn’t measure up to some impossible standard of beauty, or grace, or humor. I have seen movies that make me long to be pretty, to be elegant, to be a good singer or a talented musician. I have never before seen a movie that made me want to feel powerful. Brave did.

Since I was young, I have loved “girl power” stories. Not the girls like Kim Possible with impossible animated bodies and fancy gadgets, but Matilda and her books, Tamora Pierce’s female knights and mages, Hermione Granger, and, most recently, Katniss Everdeen. But until I saw Brave, I had never sen an animated “princess” movie that made me feel like “strong” was a desirable quality. I grew …

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Pop-Culture | Posted by Jackie S on 09/16/2010

Women in Pre-Code Film

the divorcee: a great example of an empowered woman in pre-code film

the divorcee: a great example of an empowered woman in pre-code film

Pre-production code films were made from 1929-1934. They were interesting, because they explored subjects that would be relevant in today’s society. They had themes of violence, drug abuse, and sexuality. The thing that was so “naughty” about these films was that most of the sexual encounters were controlled by women. The actresses in these movies gave strong performances as intelligent, independent, and, yes, sexual people. The roles were such departures from the housewife/stereotypical characters women usually played in classic cinema.

There were some great actresses in pre-code films. There was Norma Shearer, Greta Garbo, and Barbara Stanwyck. Actresses got to personify the promiscuity of the typical “male stereotype,” and turn it into many complex characters …

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