Pop-Culture | Posted by Brian C on 09/11/2011

Support Women Artists Sunday: Womenpalooza 2

So it is 1 A.M. Friday night (Saturday Morning? I never know) and whereas most people are thinking, “Hey so uh sleeeep.” I was thinking, “Let’s hop on a bus so I can get down to Chicago in time for Saturday!” Moral of the story: ride the Megabus, its cheap. Also, while the red eye buses have amazing availability, it is really hard to sleep when you are on the way to Lollapalooza. After sleeping only a few hours off and on, I was there.

So we leave our bags in our hotel, do the whole Starbucks thing, and then head over. Saturday’s lineup was incredible. Staying at one stage I got to be front row for 8 different wonderful artists, half of them female. So yadda yadda yadda, I’ll …

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Pop-Culture | Posted by Julie Z on 08/14/2011

Support Women Artists Sunday: Chrissie Hynde

I was at the Rock and Roll Hall of Fame this past week showing my visiting family all that Cleveland has to offer (that’s all I came up with) and we got to see the Women Who Rock exhibit. One of the women profiled was Chrissie Hynde, and I realized that I’ve never profiled her here, even though she blazed trails for women in rock and grew up about 40 minutes away from where I did. So, without further ado, here’s SWAS: Chrissie Hynde Edition!

A teenage Chrissie Hynde left the United States on a one-way ticket to England where she landed a job as music critic for the NME. She also worked in McLaren’s ‘Sex’ boutique before forming The Pretenders.

The original Pretenders line-up featured Hynde on vocals/guitar,

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Pop-Culture | Posted by Julie Z on 04/3/2011

Support Women Artists Sunday: Kate Walsh

She’s been called music’s best kept, not-so-secret ‘secret.’; ‘The missing link between Joni Mitchell’ (hails UK’s The Guardian) and a host of female singer/songwriters cut from the UK’s intricately-stitched musical fabric. None, however, have emerged on the cusp of their US debut with an album as sure and ready-to-occupy as Kate Walsh’s aptly titled Tim’s House. Unceremoniously recorded in friend and producer Tim Bidwell’s bedroom, it packs the rarest of emotional wallops rendered by an alluring vocal presence that one perceptive online reviewer blared: ‘sends goosebumps up and down your spine (often) with no more accompaniment than an acoustic guitar.’

It’s entirely fitting that feisty bloggers should have the first say about the inspired Walsh. Launched from the cozy confines of her homemade myspace site, the charismatic singer invitingly billed

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Pop-Culture | Posted by Dina L on 03/10/2011

GaGa: The Image of a Pop-Star

I was lucky enough to recently see Lady Gaga in concert–it was fantastic. She was fantastic (her voice is really good), the show was fantastic, and the world that she created onstage was fantastic. If you’ve ever seen her live or in a video, you know what I mean. If you ever, ever get a chance to see her in concert, go–it was that good.

One thing that stood out about her show was the way the she constantly reminded the audience of the fact that she–or at the least the version of herself that she is onstage–is fake. She is a reflection of what her listeners and audience expect and what from her; she is there to be whatever we want and need her to be. Towards the beginning …

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Pop-Culture | Posted by Julie Z on 03/6/2011

Support Women Artists Sunday: Sick Of Sarah

Sick Of Sarah began in Minneapolis, MN in April 2005 as an all-female band with catchy hooks, unique lyrics and thoughtful, well-crafted music. The band displays talent, passion, and an ever-present sense of humor that shapes many of their songs. They combine sympathetic acoustic moments with driving electric rock, often in the same song. With influences ranging from John Fogerty to Joan Jett, Sleater-Kinney to Vanessa Carlton, Sick Of Sarah brings an energy and blended alternative pop-rock style that has listeners singing along after the first chorus.

Guitar player, lead singer, and songwriter, Abisha Uhl has an ear for pop, a mouth for rock, and an attitude for punk. She first picked up a guitar at age 13 in Okinawa, Japan where she lived until she was 18 and moved …

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